indieWIRE has published this worst of 2005 list from Reverse Shot, panning such precious darlings as PALINDROMES, CRASH, ME AND YOU AND EVERYONE WE KNOW, and WALK THE LINE. While I'm not sure I agree with all of their assessments, they offer reason to pause and ask, "Has indie film become as manipulative as the Hollywood mainstream?" Food for thought (or argument), anyway.
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